Wednesday, December 29, 2010

Happy New Year!

Can you believe that 2011 is, literally, only days away? December is always a great time of year. Not only is the world looking back on the year that was 2010, but so many of us have a month full of holidays that make you brim with happiness and joy from the inside out.

Many of these holiday traditions carry with it an annual trip to the theater. Whether is be time honored productions like A Christmas Carol or The Nutcracker ballet, or seeing the latest production at your favorite theater like The Heidi Chronicles at MST, these trips help create special memories for us all.

Boston Ballet's The Nutcracker

While growing up in Massachusetts, my family and another clan took a trip from Williamstown to Boston to see a production of A Christmas Carol. There was some snafu in the box office, for when we arrived there was no matinee production of the show that day! A holiday disaster in the making, yes?

Thanks to the diligent efforts of the theater’s box office, disaster was averted! Though they had no production for us that afternoon, they did know that the Boston Ballet was presenting a school matinee that afternoon. A few quick phone calls, and we were redirected to the ballet’s theater and ushered in for what would be my first viewing of The Nutcracker by Tchaikovsky.

Do you have any favorite theatrical holiday memories? Be it New Year’s, Christmas, or the Fourth of July, sit down by the fireside and tell us the tale!

Fireside Chat

And that’s the word on the street! Happy New Year!

Friday, December 17, 2010

The MST Q&A: Hello Heidi Holland

The Heidi Chronicles We have known for years the directing talent of Cheryl Kaplan, but THE HEIDI CHRONICLES, closing this Sunday, December 19th, marks Cheryl's first opportunity to trod the boards at MST. And aren't we glad she did! After winning raves from both critics and theater goers alike, I think it is time to learn a bit more about Cheryl as she fills out the MST Q&A...



Full given name: Cheryl L. Kaplan Zachariah

Hometown: New Jersey/Iowa split

Zodiac sign: Libra

First Houston show ever saw: Copenhagen at Main Street Theater

Current show you have been recommending to friends: The Heidi Chronicles, of course

Favorite post-show meal: Granola bar and an apple - I have to be able to fit into the pants by the end of the run!

Favorite show tune: "Lullaby of Broadway"

Performer you would drop everything to go see: I basically drop everything to see shows as it is!

MAC or PC? PC but considering converting

Most played song on your iPod: podcasts of "Wait Wait Don't Tell Me" and "This American Life." Total nerd.

Last book you read: "People of the Book" by Geraldine Brooks

The Heidi Chronicles

Must-see TV show: Re-runs of "Quantum Leap", currently "Medium," "Caprica" and "The Closer"

Last good movie you saw: Scott Pilgrim vs. The World

Favorite cereal: Granola or grape nuts with yogurt on good days, Froot Loops or Lucky Charms on bad.

Special Skills: I can cross only one eye at a time, but can't do it for long. Odd that this has never come in handy.

Who would play you in the movie? Drew Barrymore

Worst mishap on stage: The baby burning in "Wondergirl" I think is tied with the time I fainted on stage in front of about 300 Kindergartners and made them cry because they thought I died. Is the worst over?

Worst job you ever had: Picking up animal carcasses and dropping them off at the incinerator. Also the psychology experiments were pretty awful. I only worked for one day on each job so the damage wasn't too steep. Made waiting tables a luxury.

Hmmm... I just think Cheryl won the "Worst Job Ever!" prize for the fall!

And that's the word on the street!

Wednesday, December 15, 2010

Everyone's a Critic! The Heidi Chronicles

The Heidi ChroniclesTHE HEIDI CHRONICLES opened Thanksgiving weekend to all but sold out houses. Did you see it? What did you think? We would love to hear your opinion, so comment away!

One patron via email said, "We saw it last night. Great performance. Keep up the good work."

Another saw the same performance, and promptly called and donated $1000.00!

Way to go Heidella!

Friday, December 10, 2010

The MST Q&A: Bonne Annee Madeline!

Madeline's ChristmasTomorrow is our last day of Family Matinees for MADELINE'S CHRISTMAS. It has been a wonderful run at this most wonderful time of the year.

Madeline is played by Caroline Menefee. Many of you know her from last year's Junie B. Jones and a Little Monkey Business. As we bid Madeline bon voyage, let's learn a bit more about Caroline as she fills out the MST Q&A...

Full given name: Caroline Ashton Menefee

Hometown: Alvin

Zodiac sign: Leo

Audition Monologue/Song: Still Hurting- The Last 5 Years or Show Off- The Drowsy Chaperone

First Houston show ever saw: Macbeth at The Alley

Current show you have been recommending to friends: I don't get to see too much theater with my crazy schedule, but I recently saw Blithe Spirit at my old Community College and loved it!

Sideways StoriesFavorite post-show meal: Normally finishing my coffee and I'm a cracker fanatic.

Favorite show tune: I did Into the Woods earlier this year and fell in love with No One Is Alone.

Performer you would drop everything to go see: Muse, John Legend or Judy Garland if it were possible.

MAC or PC? PC unfortunately.

Most played song on your iPod: Dancing by Elisa

Last book you read: I just finished a Greg Iles thriller.

Must-see TV show: Weeds or How I Met Your Mother

Last good movie you saw: Harry Potter and the Deathly Hallows

Pop culture guilty pleasure: Trash Tabloids or reality t.v.

Favorite board game: Me and my family always play this card game Nerts.

Favorite cereal: Bran.

Special Skills: My eyes can do some crazy tricks, I can get rid of anyone's hiccups, and I can recite the entire movie Home Alone...maybe that will come in handy one day.

Who would play you in the movie? I would hope Meghan Fox but probably someone like Anne Hathaway or Rachel McAdams

First stage kiss: Senior year in 42nd Street and it was an old friend who was too scared to kiss me so my dad yelled from the audience during a rehearsal, "Just kiss her already!"

JunieWorst mishap on stage: When people trip it's normally bad because I cannot keep it together after that but once during a youth theater show, a co-star had a booger on his face and we couldn't seem to tell him so we tried not to crack up the whole rest of the show.

Worst job you ever had: When I was about 13 I twisted and stripped iron one day for my dad in 105 degree heat. Worst job ever.

Thanks Caroline! Hey, maybe you can replace Meghan Fox in the next Transformers film!

And that's the word on the street!

Tuesday, November 30, 2010

The MST Q&A: Light Floods in Stage Left

Carrie Cavins Work 1Say hello to Carrie Cavins! Newly transplanted to the Houston area, lighting designer Carrie Cavins makes her Main Street Theater debut with our MainStage production of THE HEIDI CHRONICLES.

Let's learn a bit more about Carrie (and take a look at previous work) as she fills out the MST Q&A...


Full given name: Carrie D. Cavins

Hometown: Fort Worth and many others

What inspired you while preparing for this production?
The complex issues that Heidi has to move through to get to a place that she feels she has a place in a world full of one-sided thinking. The courage she has to be able to stand up in what she believes in and the ability to help make a change in a world that is resistant to change.

Carrie Cavins Work 2First Houston show ever saw: An India Festival

Current show you have been recommending to friends: The Heidi Chronicles

Favorite post-show meal: Anything that sets right.

Favorite show tune: Master of the House - Les Miserable’s

MAC or PC? PC

Last book you read: The Colorado Kid

Must-see TV show: HBO - True Blood

Last good movie you saw: Red

Carrie Cavins Work 3Favorite board game: Monopoly – Trivia Pursuit

Favorite cereal: Most any that isn't good for you.

Special skills: Can out talk most anyone and annoy them.

Carrie also tried to introduce us to the greatness she knows as Grippos Potato Chips. I got Cheddar with a touch of jalapeno. A touch? I think I am still feeling the heat! Ooooo-Weeeee!

And that's the word on the street

Saturday, November 27, 2010

Everyone's a Critic! Madeline's Christmas

MADELINE'S CHRISTMAS opened last week for both school and family matinees. Did you see it? What did you think? We would love to hear what you thought! Just leave a comment here....

Madeline's Christmas
"In an old house in Paris that was covered with vines
lived twelve little girls in two straight lines."



One teacher wrote saying, "I just wanted to say thank you on behalf of my school, it was a wonderful experience for the students! I look forward to bringing my school back in the spring for the Magician's Nephew."

Tuesday, November 23, 2010

Time to Shoop! Shoop!

The Heidi Chronicles
The female cast of "The Heidi Chronicles"

Alright girls (and boys), it's time to take a trip down memory lane and get your "Shoop! Shoop!" on.

I know the first thing many of you will ask me when you see THE HEIDI CHRONICLES (which opens THIS Friday in the Rice Village) is, "What are all those fantastic songs in the show?" Well, your wish has been granted ahead of time! Below is a play list of all the songs featured during the performance. Now, this is only a list of the 25 songs actually IN the show. Pre-show and Intermission music is a whole 'nother list.



I will make you a deal: Post a comment here that you want a play list for Pre-show and Intermission too, and I will do it after Thanksgiving.

And a quick poll: Are those ladies in the pic rocking out or protesting?

And that's the word on the street!

Friday, November 19, 2010

The MST Q&A: The Magic Carpet Man

Madeline's ChristmasFans of the Theater for Youth program already know Richard Solis pretty well. He maintains a constant presence on stage, not only because he is a fantastic actor, but because he is responsible for all the amazing props you see show after show.

He is now onstage in our soon to be sold out hit MADELINE'S CHRISTMAS teaching the girls how to fly as Harsha, the carpet vendor! Let's learn a bit more about Richard as he fills out the MST Q&A...

Full given name: Richard C. Solis

Hometown: San Antonio, TX

Zodiac sign: Aries

First Houston show ever saw: Jekyll and Hyde (Years before Broadway)

Current show you have been recommending to friends: MADELINE of course!!!

Charlie and the Chocolate FactoryFavorite post-show meal: Well as much as I like to eat (ha ha) I usually try not to eat before a show, maybe snacking on beef jerky and or candy.

Favorite show tune: All the big no brainer mechanized shows. CATS yes CATS. Le Miz, Phantom, Wicked.

Performer you would drop everything to go see: Lady Gaga! The Cure, Catherine O'Hara.

MAC or PC? PC.

Most played song on your iPod: Anything by THE CURE or Deadmau5 (Google him)

Last book you read: BUSYTOWN (seriously)

Must-see TV show: , HELLS KITCHEN, HOW ITS MADE (the science channel) SHOP NBC (INVICTA WATCHES)

Last good movie you saw: Taxidermy

Pop culture guilty pleasure: STAR WARS!

Favorite cereal: ALL!

Special Skills: I can make anything out of an old box and masking tape!

Who would play you in the movie? Why ME of course!

Sideways StoriesWorst mishap on stage: I've had so many but just recently I accidentally clocked Caroline Menefee (MADELINE) in the eye while onstage... She was okay but I was so scared!

Worst job you ever had: Lets see that is a hard question, HEB, Plastic Injection Molder, Pharmaceutical company assembly plant worker to name a very few...

Thanks Richard! Hey, have you ever made an Invicta watch out of on old box and masking tape? Just asking...

And that's the word on the street

Thursday, November 11, 2010

The MST Q&A: Oh, the Places We'll Go!

ArcadiaFans of Main Street Theater are very familiar with Set and Properties Designer Liz Freese. Last season she created the world of Willy Wonka for Charlie and the Chocolate Factory and took us to an English country manor (past and present) for Arcadia (pictured left).

This season, Liz is working for us on back to back projects! In October she took us uptown for the set of BREAKFAST AT EIGHT, and now she is giving us a whimsical look at Paris, France for MADELINE'S CHRISTMAS! Let's learn a bit more about Liz as she fills out the MST Q&A...

Full given name: Elizabeth Kathleen Freese

Hometown: Houston

Zodiac sign: Aquarius

What inspired you while preparing for this production?
For Breakfast at Eight: West U architecture and lots of interior design magazines. Yeah for decorating!

Breakfast at Eight
The Set for Breakfast at Eight

First Houston show ever saw: Hmmmm... Lucia at Houston Grand Opera

Current show you have been recommending to friends: Peter Grimes at HGO

Favorite post-show meal: Amy's Ice Cream or Coco's Crepes

Favorite show tune: Children will Listen- Stephen Sondheim "Into the Woods"

Performer you would drop everything to go see: Steve Bono

MAC or PC? I'm bilingual and have both a Mac and PC laptop.

Most played song on your iPod: Amazin Blue (a capella group) CD

Last book you read: "What to Expect when you are Expecting"

Must-see TV show: ... don't really watch TV. I like House. Ever catch all the Sherlock Homes comparisons?

Last good movie you saw: see below

Pop culture guilty pleasure: pop culture illiterate.

Favorite board game: Apples to Apples

Favorite cereal: I'm a peanut butter on toast morning person

Most “happy mistake” on a production: For Madeline's Christmas: A black light is used for effects and scene changes during the show. When on, it makes the windows on the back drop look like they "light up" from the inside. Very cool!

Madeline's Christmas
Set Model for Madeline's Christmas


Worst job you ever had: Selling chocolate at Arsenal soccer games in London.

We won't be seeing Liz for a while because she is having a baby this spring, but one thing we all want to know: How long before that kid can hold a paint brush!?

And that's the word on the street

Wednesday, November 10, 2010

Who or What is Miss Clavell?

Miss ClavellMADELINE'S CHRISTMAS opened this week at MST's Theater for Youth. An interesting question came up at our staff meeting: "What's up with Miss Clavell? Is she a nun or what?"

"Well, as it so happens", responded Vivienne St. John (our Theater for Youth Producing Director), "That question can be answered in our Educational Materials for the show!"

And indeed it can!

"Is Miss Clavell a nun? If she is a nun, why is she called “Miss” Clavell instead of “Sister” Clavell?"
At the time when Madeline is set, it was common practice to call nuns “Madame” and not “Sister” similar to the Italian tradition of calling priests “Don” instead of “Father”. “Madame” translates in English to “Miss”!

So there you have it! Answers to other questions can be found in the Educational Materials as well as some great activities not only for the classroom, but that families can do together as well.

Get a preview below of Miss Clavell, Madeline and the girls in action and then head on down for the heartwarming MADELINE'S CHRISTMAS. We added a show on December 11th because seats are filling up, so don't delay!



And that's the word on the street!

Tuesday, November 2, 2010

The MST Q&A: By Popular Demand

A NumbmerOkay! I know! We just heard from a Sound Designer, but there have been so many questions about the music choices for BREAKFAST AT EIGHT, it is clear the audience demands to know more!

Most of you are familiar with David Wald for his work on stage (A NUMBER, THE DOCTOR'S DILEMMA), but what you might not know is David is also an accomplished musician as well. His background in jazz turned out to be a perfect fit for his maiden voyage into the field of Sound Design. Let's learn a bit more about David as he fills out the MST Q&A...

Full given name: David Wald

Hometown: Houston

Zodiac sign: Taurus

What inspired you while preparing for this production? It was my goal to use alternative versions of popular standards: alternate takes, or performances by jazz greats that were different from the more popular recordings. Antonio Carlos Jobim, for example, was a heavy presence in the script. For the intermission music, I found a recording of "Corcovado" performed by Miles Davis and "Girl From Ipanema" performed by Oscar Peterson. Other finds included Diana Krall performing Tom Waits' "Temptation" and Frank Sinatra performing Sondheim's "Send In The Clowns." I also tried, in the pre-show and intermission music, to select songs that reflected the sentiments of the characters in the play. For example: Dianne Reeves' beautiful rendition of "Into Each Life Some Rain Must Fall" began the intermission set, and I thought it was a lovely summation of the state of John and Abby's minds at the end of the first half; or Oscar Peterson's arrangement of "Where Do I Go From Here?", a song cut from the original score of FIORELLO!, which is about a woman in love with a man that didn't seem to adequately notice her, which I thought was a nice summary of Abby's state of mind when John storms out at the end of Act/Scene 1.

Breakfast at EightAbby mentions Peter Gabriel's "Solsbury Hill" when she describes how she and John first met. This song is about overcoming a toxic circumstance, and I thought it would be an ideal selection for the end of the show. However, the original Gabriel recording was a bit too out of sync with the rest of the selections in the show, so I took the opportunity to arrange and record a version myself that was much sparser, and at the same time more harmonically dense in keeping with the jazz selections in the rest of the show.

First Houston show ever saw: Klein Forest High School's CAMELOT, somewhere in the neighborhood of 1980.

Current show you have been recommending to friends: In New York a few weeks ago, upon Becky Udden's recommendation, I saw Roundabout Theatre's BRIEF ENCOUNTER, an extraordinary mix of theatre, film, music, and even puppetry. I'd recommend it to absolutely anyone.

Favorite post-show meal: Being a diabetic, I don't tend to eat post-show. However, pre-show and pre-rehearsal, they know me very well at Chicken Kitchen in Rice Village.

Favorite show tune: Sondheim's "I Remember Sky," from the TV miniseries EVENING PRIMROSE. Barely qualifies as a show-tune, but it's Sondheim.

Performer you would drop everything to go see: Bobby McFerrin. I caught him at a jazz festival in the Midwest some years ago with a small combo and it was the most extraordinary live musical performance I've yet to see. I doubt a single person left that show without feeling that he'd looked them right in the eyes and delivered some of his performance right to them.

MAC or PC? Mac. Always and forever.

Breakfast at EightMost played song on your iPod: Thanks to a recommendation from the incomparable Miss Janel Badrina, I can't get enough of Crazy Logic (Gnarls Barkley vs. Supertramp vs. Rockwell) by Arty Fufkin, from the "Best of Bootie 2006" mash-ups album.

Last book you read: Recently re-read Hunter Thompson's "The Great Shark Hunt."

Must-see TV show: Masterpiece/Mystery's "Sherlock Holmes" miniseries on PBS is quite fun.

Last good movie you saw: Howl. I caught this on my trip to New York a few weeks ago. It's a film about the writing of and events surrounding the Ginsberg poem starring James Franco.

Pop culture guilty pleasure: Star Trek: TNG. I'm a Picard man.

Favorite board game: Krull: The Board Game. Better than the movie. Barely. But, oh, the childhood hours wasted...

Favorite cereal: Cookie Crisp. It's been years since I ate any, but I sometimes stop and stare longingly at a box in the cereal aisle.

Special skills: 3 years Modern, 2 yrs Jazz/Tap.

Most “happy mistake” on a production: While recording "Solsbury Hill" for BREAKFAST AT EIGHT, I found that the verse for another song prominently featured in the script, Gordon Lightfoot's "Softly," fit perfectly within the chord progression of "Solsbury Hill." So, if you really listen to the song at the end of the show, you can hear strings playing the melody of "Softly" at the beginning and beneath the last verse.

Worst job you ever had: Driver for a courier service in Indianapolis. Horrible, lonely work spent largely in rush hour traffic. I lasted about 3 weeks.

The Heidi Chronicles PhotoshootFor all you Mr. Wald fan's out there, not to worry! David will once again tread the boards at MST in our upcoming productions of THE HEIDI CHRONICLES and A CATERED AFFAIR. For more information about the music for BREAKFAST AT EIGHT, check out the iTunes iMix below. We look forward to hearing Dave's musical selections again soon!

And that's the word on the street!

Wednesday, October 27, 2010

Peer to Peer Shakespeare!

Tonight, Main Street’s Kids On Stage department is presenting its second workshop for Peer-to-Peer Shakespeare, a new interactive workshop targeted for middle and high school students.

Peer-to-Peer Shakespeare is a short, lively, participatory introduction of Shakespeare’s life and works for middle school and high school audiences. Stranded without half their cast and any of their props, a traveling troupe of actors proves that the show must go on—with the audience’s help. With audience members filling in, we will stage scenes from Romeo and Juliet, Henry V, Macbeth, A Midsummer Night’s Dream and others.

Midsummer Night's Dream











The learning doesn’t end after 45 minutes, though. After the workshop, students have an assignment to complete. The results will be in the comments of this post!

To book Peer-to-Peer Shakespeare for your middle school or high school class, please call Lauren Smith at 713-524-9196 x 104.

Sunday, September 12, 2010

The MST Q&A: Music the Doctor Ordered

It was a swinging night at The Last Night of BallyhooJanel Badrina has been working with MST since 2000. As both Stage Manager and Sound Designer, she has made quite a mark on our productions. You might remember her rockin' sound track for The Pie Dialogues a couple of seasons back, the swinging touches she added to last season's The Last Night of Ballyhoo or the bluegrass sound of the Oklahoma Dust Bowl in Driftwood.

This season, Janel starts us off in the classical mode as she fills turn of the LAST Century London with the sounds of composers like Saint-Saëns, Prokofiev, and Rachmaninoff for THE DOCTOR'S DILEMMA. Let's learn a bit more about Janel as she fills out the MST Q&A...

Full given name: Janel Joy Badrina

Hometown: Houston born & bred!

Zodiac sign: Gemini

What inspired you while preparing for this production? The composers from this era (Impressionism & late Romantic) - which also happens to be my favorite time period in classical music. I was especially inspired by Claude Debussy (my favorite composer) and Modest Mussorgsky's Pictures at an Exhibition. I love the way Mussorgsky paints with music - you can almost see the pictures just by listening to the music!

First Houston show ever saw: National Tour of The King & I (with Yul Brynner) - I know it's not a Houston show, but it was the first show I remember seeing in Houston.

Current show you have been recommending to friends: The Doctor's Dilemma of course!

Favorite post-show meal: Champagne (does that count?)

Favorite show tune: It varies - at the moment it's "Breeze Off The River" from Full Monty

Performer you would drop everything to go see: John Mayer and Yo-Yo Ma

Janel takes us on a bluegrass journey in DriftwoodMAC or PC? MAC! (was that a serious question?)

Most played song on your iPod: You're asking me to pick 1 song??? 4 of my most played (at the moment) are "Tainted Love" (Marilyn Manson cover), "Jesusland" (UNC Loreleis cover), "All Will Be Well" (Gabe Dixson Band) and "Encore" (Jay-Z + DJ Danger Mouse)

Last book you read: Harry Potter & The Deathly Hallows (I'm prepping for the movie!)

Must-see TV show: Glee, West Wing, Gossip Girl, Battlestar Galactica (the recent remake)

Last good movie you saw: It's been so long since I've seen a movie, I can't remember...

Pop culture guilty pleasure: Twitter and Foursquare

Favorite board game: Cranium

Favorite cereal: Captain Crunch with Crunch Berries

Special skills: Doing just about anything in stilettos (scaling ladders, hanging lights, scene changes, chasing down actors, etc.)

Josh Morrison reflects on Banana Pancakes in The Pie DialoguesMost “happy mistake” on a production: Finding muzak versions of Tool, Marilyn Manson and Led Zepplin which I then used as background music for the restaurant scene in Pie Dialogues. I was determined to get some Tool and Manson somewhere in that show!

Worst job you ever had: Data entry for a research project at MD Anderson. That was one of the most boring and mind-numbing jobs I've ever had! I dozed off a few times mid-entry. Thank goodness I never fell asleep on the keyboard!

Preview audiences really wanted to know what the music selections for THE DOCTOR'S DILEMMA were. Here is a list from Janel of the pieces selected for the production proper. Sorry, no preshow or intermission here.
First Half
Top of Show - Camille Saint-Saëns: Carnival of the Animals - No. 10 "Aviary"

Act 1 – 2 - Sergei Rachmaninoff: Preludes, Op. 32/5 - Prelude In G

End Act 2 - Sergei Prokofiev: Symphony No. 1 in D, Op. 25 (‘Classical’), 4. Finale: Molto Vivace

Second Half
Top of Act 3 – Claude Debussy: Suite Bergamasque, IV. Passepied

Act 3 – 4 - Franz Liszt: Consolation in E Major, S. 172

Act 4 – 5 – Antonín Dvořák: Serenade In E Major Op.22, 2. Tempo Di Valse

End of Show/Curtain Call - Camille Saint-Saëns: Carnival of the Animals - No. 14 "Finale"

And that's the word on the street!

Saturday, September 4, 2010

A Penny Saved

Okay all you discount seekers, penny pinchers, starving students and just plain paupers. Do you think the cost of a theater ticket is out of your reach? Does even buying a “slightly obstructed” seat at $26 break your weekly budget? Maybe you are a fan of musicals or comedies, but not sure you want to risk it on a new or a classical drama?

Well, MST is here to help! We have done away with some of our old MainStage discount programs like Half Price Rush and Pay What You Can and replaced them with some new and exciting ones. Read on if saving that buck is the difference between a great theatrical experience or curling up with the DVR ... again ...

Richard Solis and Laura Salas in The House of the SpiritsGUARANTEED SEATS
Probably the hardest thing about discount policies in the past is you didn’t know what you had until you got there. “You mean, I have to drive 20 – 30 minutes, find a place to park and still, I might not have a ticket?” Torture! I know!

That risk is now entirely GONE! Take advantage of the new discount programs and be rest assured, there will be a seat for you in the theater when you get here!

$10 PREVIEWS
For years now we have offered $10 previews in advance of the press opening. That’s as good as the price of a movie and cheaper than the new “3-D spectaculars”. And it is in the original 3-D format. No glasses required! What’s a preview you ask? Check out my previous blog for that answer.

Jamie Geiger and Bethany McCade in The Last Night of Ballyhoo$5 FRIDAY
Replacing our Pay What You Can performance is $5 Friday. The day after opening has always been a slow day. We used to just take the day off! Now we are performing that day and every seat in the house is only $5! Get out you say! Yes, you can get a $40 seat for only $5 on $5 Friday.

Well, not for The Doctor’s Dilemma. Those seats are already gone.

You can get a $36 seat for only $5 on $5 Friday! And I don’t mean just at the door. Go now and buy it on-line or call our box office and grab that ticket, and know your efforts to get here will be rewarded with a seat.

BUY EARLY AND SAVE
The ART Discount (or Advanced Rush Ticket) can save you $5 or $10 per ticket for a regular performance IF you buy the ticket before the show’s opening night. Beat the rush, get the best seats and save big before that rave review hits newsstands and everyone wants a seat.

Justin Doran and Philip Lehl in ArcadiaSTUBDOG IS A THEATER-GOER’S BEST FRIEND
Are you tired of calling the theater the day of, hoping for a chance to get half-priced tickets at the door? Well, throw that worry out the window because we have thrown the Half-priced Rush ticket out the door.

But, if you are still looking for that half-priced ticket, try our friends over at StubDog.com. If available, a small allotment of tickets will be made available through the discount ticket site for the run of the production about a week before it opens. And these half price tickets are guaranteed seats. Basically, we take the guess work out of Half-price Rush by giving you the chance to get the tickets ahead of time!

But act fast! Once those seats are gone, they are dog gone.

... AND STUDENTS
Don’t forget, students are ALWAYS only $10 for regular performances for any MainStage show. That price cannot be beat, especially if you have a paper due the next week.

All these discounts are available for THE DOCTOR’S DILEMMA which starts previews tonight!

Previews are SOLD OUT!

ART – Deadline to use this discount is Thursday, September 9th. Use on-line code DOCART to buy the tickets on-line. (Find the other ART discount codes on our website.)

$5 Friday is September 10th. Tickets are still available!

Half-priced Seats have been sent to StubDog.com. They are beginning to go, so get on it!

And that’s the word on the street!

Saturday, August 21, 2010

What is a Preview?

Can you believe that the new season is upon us? I hope everyone has had a wonderful, if not steaming hot, summer. With no shows running, you would think we were taking it easy here at MST, but between our popular Kids On Stage summer camp program and preparations for our upcoming 15 SHOW SEASON, we have been anything but slow!

Kregg Dailey and Beth HoppThe first show up in September is in the MainStage Subscription Season: THE DOCTOR’S DILEMMA by George Bernard Shaw. If you have been checking out the schedule for this show, you will have noticed we offer three “previews” before opening night.

Over the years, many of you have asked, “What is a Preview?” “Is it a rehearsal?” “Do we get to see the whole show?”

In live theater, the audience is just as important and as dynamic as any actor’s performance, set piece, costume, lighting effect, sound effect or prop. After preparing all those elements on our end, adding the audience is the last piece of the puzzle.

Is it a rehearsal? In a way, yes! The actors need a chance to perform in front of an audience before the Press reviews the production. What is funny? What is NOT funny? When will the audience gasp, cry or lose interest all together?

Kregg Dailey and Joel SandelThis is where the preview performance comes in. We offer our previews at the amazing low price of $10, practically the same as a movie! The idea is to pack the house and get a real feel for how an audience will react to the production. It also gives any theater lover, who might not be able to afford a more expensive ticket, the opportunity to see the production.

Do we get to see the whole show? Absolutely! When it is time to preview the show, we have done everything on our end to prepare the show EXCEPT perform it for a live audience. Lines are learned, sets are painted, costumes are sewn, lights are hung, sound levels are set and the props are ready to go.

Beth Hopp and Joel SandelNow all we need is you! THE DOCTOR’S DILEMMA previews September 4th, 5th and 8th. Seating is limited, so if you want to be part of the creative process, order your tickets today!


And that’s the word on the Street!

Tuesday, June 1, 2010

Beyond Arcadia Part 2

Here is another little bit from the on-line E-zine discovered by our stage manager Debs. The Sidley Park garden is practically another character in ARCADIA. Just beyond our view through the windows (looking out over the East Section) is the garden being reborn to much controversy in the 1800s and resulting in much mystery in the present. Here is a little more reflection on the changing styles of the Sidley Park Garden.

Classicism vs. Romanticism in the Sidley Park Garden

Hannah: “The whole Romantic sham. It’s what happened to the Enlightenment, isn’t it? A century of intellectual rigor turned in on itself. The history of the garden says it all beautifully.”

The grounds of Sidley Park, the house which provides the setting for Arcadia, are a canvas on which all three of the main styles of eighteenth and early nineteenth-century landscape gardening have at one time or another been inscribed.

These three different styles of gardening were treated by some contemporary commentators as mere changes in fashion, and they were frequently compared with changing fashions in dress, particularly in women's dress. For others, however, they were like fashion itself -- part of a complicated story of social and political change.

The Classical Italian Garden
The formal Italian garden reflects the Age of Reason or the Enlightenment. It was probably planted by Thomasina’s great-grandfather.

Until the 1740s, the garden was laid out according to an aesthetic which saw beauty only in symmetry, in the geometrical pattern made by circular pools and the intersecting straight lines of avenues, alleys, terraces, hedges.

Hannah says: “The house had a formal Italian garden until about 1740 …that makes you want to weep. Paradise in the Age of Reason….topiary, pools and terraces, fountains, an avenue of limes. sublime geometry…the best box hedge in Derbyshire….”

1740-1809: The Natural English Park
The formal Italian garden is replaced by the “natural English park” for which Launcelot “Capability” Brown was famous. This was probably done at the instigation of Thomasina’s grandfather.

Around 1740 or so tastes changed and this formal Italian design was dug up and “improved” by Lancelot "Capability" Brown. Brown’s goal was to create open vistas which made the park and its surrounding countryside seem part of one harmonious landscape which ran unbroken to the horizon and beyond.

One way to make the landscape appear to flow seamlessly, was to remove anything that appeared “unnatural” or “man made” like topiary, pools and terraces, fountains and an avenue of limes. The” best box hedge in Derbyshire” was dug up and replaced by a “ha ha” (a ditch used to keep cows off the lawn.) “The grass went from the doorstep to the horizon… so the fools could pretend they were living in God’s countryside….”

This is the way the garden looks in Lady Croom’s time, and it is just to her taste.

1810 The Fake Gothic Wilderness
The Gothic Garden reflects the Age of Romance.
Lord Croom, Thomasina’s father, has hired Mr. Noakes, the landscape gardener to tear up the natural English landscape that Lady Croom so cherishes and replace it with a faux Gothic wilderness in the “picturesque” style.

As Arcadia opens in 1809, the English park that Lady Croom so admires is about to give way to the "picturesque" or “Romantic” style favored by Mr. Noakes. The picturesque was an aesthetic of irregularity, of "Romantic" wildness, in which the natural, flowing lines of Capability Brown were deliberately broken and obscured by sudden declivities, jagged shapes, ruined buildings and statuary, and the shadows of rocks and unkempt trees.

Lady Croom finds it utterly distasteful but her protests were obviously in vain, because by 1812, the process of transformation is under way, under the auspices of Mr. Noakes and his noisy “Newcomen steam pump”. .

Hannah, who is all geometry and reason, hates the whole “Romantic sham” of the Gothic landscape. She particularly dislikes the fact that the Gothic landscape, when plunked down in England, stands out like a sore thumb -- stagy and fake and artificial.
“…a setting of cheap thrills and false emotion”.


Playing to sold out houses, ARCADIA has been extended until June 20th!

And that's the word on the street!

Tuesday, May 25, 2010

The MST Q&A: Philip Lehl

Philip LehlPhilip Lehl makes his MST debut playing Bernard Nightingale in our hit production of ARCADIA. Get to know a little more about Philip as he answers MST's Q&A ...

Full given name: Philip Eric Lehl

Hometown: Des Moines, IA

Zodiac sign: Taurus

Audition Monologue/Song: "Why Don't We Do It In the Road?"

Special skills: making a living as an actor

First Houston show ever saw: "Art" at the Alley

Current show you have been recommending to friends: Arcadia!

Favorite show tune: Finishing the Hat from Sunday in the Park with George

MAC or PC? MAC!!!!!

Most played song on your iPod: Murder in the City - Avett Brothers

Last book you read: The Elegance of the Hedgehog by Muriel Barbary

Must-see TV show: don't watch TV much, but, um, when I did, I really liked Hill Street Blues

Last good movie you saw: District 9

Pop culture guilty pleasure: Gilligan's Island

Favorite board game: blebracS, er, I mean Scrabble

Favorite cereal: carbs? are you kidding?

Performer you would drop everything to go see: Richard Burbage

Who would play you in the movie? Richard Dreyfuss 20 years ago

First stage kiss: well, it was backstage, and I was 14, and I was playing a lost boy in Peter Pan, and she was an Indian Princess. But onstage, as Lt. Cable in South Pacific in high school. Ah, Liat. She was a senior, I was a sophomore - also the answer to: why did you first get into theatre?

Worst onstage mishap: Playing Sky Masterson in Guys and Dolls. Wrong, wrong, wrong.

Worst “day” job you ever had: taking telephone polls for the Louis Harris company.

Favorite post-show meal: carbs

ARCADIA, by Tom Stoppard, has been extended through June 20th! Don't miss out on the greatest play of the 20th Centruy!

And that's the word on the street!

Friday, May 7, 2010

Beyond Arcadia Part 1

Stage Manager for ARCADIA and Tom Stoppard aficionado Debs Ramser discovered a little gem of an on-line E-Zine with some interesting insight on the play. Here are some interesting reflections from the director of that production.

“What we know is not much. What we do not know is immense.”

Rehearsal is a process of discovery. And interestingly enough, what we discovered, as we rehearsed Arcadia is that the play itself is about the process of discovery.

It asks the questions mankind has been asking ever since we wiped the primordial soup of our shoes. Who are we? Why are we here? What’s it all about?

But fear not. Since it’s Tom Stoppard who’s doing the asking, the funny bone is engaged as frequently as the mind.

Part detective story, part love story, part comedy of errors, Arcadia is also a crash course in mathematics, landscape gardening, literature, Romantic poetry, the second law of thermodynamics, oh, and lest things should get dull, chaos theory. The action is set in the schoolroom of Sidley Park, Derbyshire, inhabited by the Coverly family in the early 19th century, and simultaneously in the present day by their descendants Valentine, Chloe and the ever-silent Gus.

While a wildly comic series of events unfolds in 1809 and 1812, involving, among other things, Romantic trysts in gazebos, duels at dawn, mysterious hermits, rice pudding, mediocre poets, steam heated engines and overheated aristocrats, a pair of rival literary researchers works doggedly and with haphazard success, to unravel them in the present.

Will we ever find out what really happened? Is it possible to really know the past?

Is it possible to really know anything? What Arcadia taught us is it’s not the answers that matter. It’s asking the questions. As Hannah Jarvis observes, “It’s wanting to know that makes us matter.”

It doesn’t matter that we’re all looking for different things. And that being human and fallible, we don’t always get it right. That we chase after red herrings and chimera, led by our hearts as often as our heads. Faced with the possibility that, after all our striving, we may never know the answers. That the “theory of everything” will always elude us. That there will always be an unknowable mystery at the heart of things -- like a fifteen year old boy who never speaks.

But we keep looking because we want to know.

We hope you find the search as exhilarating as we do.

Ave Lawyer


ARCADIA plays at our Rice Village Location through June 6.

And that's the word on the street!

Thursday, April 22, 2010

The MST Q&A: Matt Tramel Reduex

Matt Tramel Last year Matt Tramel answered our Q&A while appearing in our Theater for Youth production of THE RELUCTANT DRAGON. Matt returns this year as the wacky and mysterious Willy Wonka in CHARLIE AND THE CHOCOLATE FACTORY, now playing at our Chelsea Market location. Let us see how much has changed for Matt as he once again answers MST's Q&A ...


Full given name: Matthew Shane Tramel

Hometown: Mesquite, TX

Zodiac sign: Leo

Audition Monologue/Song: Still haven't settled. Open to suggestions .

Special skills: Aquatic Sports (skiing/knee-boarding/tubing), Juggling, Running, Frisbee, Horseback Riding, Vehicle Maintenance, Whip Cracking, Hiking, Singing (Tenor), Swing Dancing, Basic Harmonica

First Houston show ever saw: I really do have a horrible memory.

Current show you have been recommending to friends: I'm looking forward to ARCADIA!

Favorite show tune: "Purpose" from AVENUE Q.

MAC or PC? MAC

Must-see TV show: Lost, 24, US of Tara, Firefly

Last good movie you saw: The Hurt Locker

Favorite board game: Balderdash or Apples to Apples

Performer you would drop everything to go see: Eddie Izzard

Pop culture guilty pleasure: Facebook

First stage kiss: I think it was when I was a freshman in college and played Anthony in THE HOUSE OF YES, but like I said before... I have a horrible memory.

Favorite post-show meal: A cold beer.

Worst onstage mishap: I'd have to say it was the time I was performing WORDS, WORDS, WORDS by David Ives with John Dunn at The Country Playhouse and he sliced open his hand on our tire swing (which was part of the set) while we were in the middle of a performance. He was a trooper though and saw it through until the end... clenching his fist the entire time with smears of blood painting the papers we used in our typewriters.

Worst costume ever: I once played a frog prince with an over-sized paper-mâché head that was lined on the inside with obituaries.

Favorite cereal: Honey Bunches of Oats

Who would play you in the movie? Well, Tyson Ritter is my doppelgnger .

Worst job you ever had: I was not a big fan of mowing yards when I was growing up. Does that count?

TV or commercial gig you most enjoyed: Well, if we're sticking to only TV or commercial gigs and excluding film then I'd probably go with a Darque Tan commercial that I was featured in. No, I did not play the role of "before".

CHARLIE AND THE CHOCOLATE FACTORY, from the book by Roald Dahl plays our Chelsea Market location Saturdays, now through May 15th.

And that's the word on the street!

Friday, April 16, 2010

A Word from the Playwright

Lans TraverseDRIFTWOOD, by playwright Lans Traverse, is making its world premiere now at Main Street Theater. Here are a few notes from Lans, who now lives in London with her husband, actor Ronald Pickup, and their family.

I began writing Driftwood in 2008. It is my third play, and like the two preceding it, it is loosely autobiographical. Or rather, the protagonist is based on someone in my family. In Driftwood, it is my grandfather that prompted the story.

Although I am an American, grew up in Oklahoma, I have lived almost all of my adult life in England, with the exception of a few months spent in Rome. Whilst living there I once met an Italian gentleman who travelled to London regularly on business and he told me how much he loved England. “You English people are so lucky”, he said, “your country is so new and exciting and Italy is so old”. I found that amusing, to love England for its modernity. Every day I look out on London and feel the centuries of kings and queens and age-old empires and am reminded constantly of just how new my America is. It is incredible to think that my own grandfather, age six, sat next to his father on an old buckboard and raced for one hundred and sixty acres of Oklahoma territory and that I grew up with this rich and wondrous piece of oral history handed to me on a plate.

If I were making a film, I would begin with the actual race. Alas, on stage, Orville can only tell and re-tell the story to his three children. But his passion for the land, and his relentless struggle to hold onto it, runs throughout the play. The story is just that, a fiction, for the most part. But the dust storms happened. And the soil erosion was a fact. And people survived the years of the Great Depression.

The present global financial crisis that is staring us all in the face began in 2007, and I wish that it had been my prophetic vision to see this coming and write my play as a cautionary tale. But I must admit to ignorance and cannot take credit for that. However, as greed (both personal and national) drives the plot and leads to tragedy ultimately, hopefully it might strike some as relevant at this particular moment in time. I have quoted novelist and poet Robert Penn Warren, in the frontispiece of the script: “The past is always a rebuke to the present”. History is, indeed, cyclical and here we come round again, eighty years on, to recessions and threats of depressions and man’s abuse of the land and we wonder: of what use is a rebuke if we are never able to learn from the past?

First and last though, this is a story about the family, about the foolishness of some, and the heartache caused by others, about acts of betrayal that are sometimes committed by our nearest and dearest, and about strength and loyalty and steadfastness.
--Lans Traverse

DRIFTWOOD plays at our Rice Village Location through April 24. Some performances are sold out, so don't delay when getting your tickets!

And that's the word on the street!